Lance: A Spirit Unbroken- Walter Stoffel


This is a good dog lover’s read, which may require the grabbing of a box of tissues before one reads to the inevitable end.

One of the strongest features of this book is that it is undoubtedly one hundred percent true. One knows that every incident happened just like that, without Stoffel being drawn into even plumping up the truth. We get a feel for exactly what it is like, not just living with a headstrong dog but one that has been severely damaged by past treatment. We can’t help but appreciate what a commitment any dog, let alone a Lance was. The sad thing is that, it is those that don’t appreciate animals that would most benefit from reading this book. In reality, most readers are going to be committed dog lovers who understand the sentient nature of the creatures. This is the sort of book that should be required reading for those planning on having a dog as a pet. Many of the manifest problems in Lance are extreme, but they are common to all dogs by degree. Collies, especially pure bred/inbred ones, quite plausibly because they are particularly intelligent dogs, are prone to psychotic behaviour.

I was drawn to remember the intelligently calm behaviour of George the sheepdog, in the closing years of a tough life, in Thomas Hardy’s ‘Far from the Madding Crowd’, as contrasted with George’s son, the over-excitable and scatty younger dog that may have been born with a touch of madness. In human terms, I believe we might say that the first ten years of Lance’s tough life left him with a containable but incurable schizophrenia, even if he was as potentially well-adjusted as George when he was born. Humans are no different. Once driven to madness there is often no road that leads to a full recovery. The author and his wife did all they could to give Lance a stable and loving home. I draw attention to this classic 19th Century book to demonstrate that

Chapter by chapter, this read is very entertaining. I am though critical of the quantity of repetition and back-peddling. There were too many times when the author seemed to be say, ‘Oh, that reminds me of something earlier’, and then proceeds to run back to an earlier point in the chronology. In the end, that is a minor criticism though temporarily distracting.

Stoffel’s writing style makes for easy reading. My overall thoughts on reaching the end were of pleasure in having been so well entertained. Of course, the story contains a lot of sadness when inevitably the end of the book was also the end of the line for Lance. I have little doubt that the author was changed more by their tight companionship than was ever the dog.



Execution of Justice- Patrick Dent


This is an action-packed thriller centred around themes of white slavery, 1970s middle-eastern politics, military undercover operations, crime, psychological damage and revenge. It is very fast paced, fast enough to be an action-packed blockbuster film without the book-gutting re-write. The writing is immediate, easy, generally well composed and professionally edited. And boy, is it both far-fetched and time-evaporating exciting. Yes, this is very much a ‘boys with guns’ action book, ably supported by a couple of powerful female characters that almost make it to being main-characters. John Drake fights two major protagonists, the first being a cruel and dominating father and the other the classic man of evil, as close to the devil Homo sapiens can conjure.

The plot is clever enough, though the quickly obtained Rambo skills of the ‘good guys’ team are certainly implausible. Some of the violence is very graphic, so be warned, but no worse than one seen in over 18 category action films. The written words bite depends, as it always does, on the pictures the reader chooses to visualise. At least it is easier to tune out of graphic detail in a book than while watching a film.

I really enjoyed this book, which delivers exactly what the hype suggests it should. One just has to suspend belief a touch or two. The hard men are hardly slowed by broken ribs or ruptured ligaments, and have powerful enough auras to keep away a storm of bullets. Fortunately, in the end, the baddies are all a touch weaker than the ‘better guys’. Some may also doubt the plausibility of certain actions sanctioned by ‘friendly’ political and military forces. However, on that score, my view is that Dent is entirely accurate. It isn’t only one’s enemies that are expendable even in are major democracies. There is only one plot aspect I thought didn’t fit, that concerns the behaviour of John senior mid-way through the book. I won’t risk a spoiler other than by adding that devious and life-risking manipulation of the son by the father became rather incredulous.

This is a great week-end read. Thriller writing done well.


Matriarchs: Eliza’s Revenge- Susan McDonough-Wachtman


A light-hearted, entertaining post-feminist twist from a committed feminist writer?

I’m not sure that McDonough-Wachtman would accept that as an even partly accurate statement, but that was the sense of her writer that reading Eliza’s Revenge gave me. It is nice to read books from her generation of feminist writers that manage to be affirmative for women, while accepting that female governance doesn’t naturally take the thorns off pink-tinted roses, or indeed those blooms of any other hue. Men in this story are still agonists but, refreshingly, at least not protagonists.

We are some way in the future, with a story that is set on a female controlled planet. This world’s environment is well governed by its women, though from the human perspective in a rather worryingly narrow ‘religiously’ organised way. The whole planet has the feel of being moulded by a tree-hugging, socialist, governance of pagan feminist priestesses. This is certainly no utopia, though we begin with that expectation. There are sinister undertones of unnatural practices and manipulation of male genetic characteristics. The men of this planet are now as female as Barbie Dolls, while some of the women certainly aren’t all ‘sugar and spice’ humanists.

The writing is rather head-hoppy which doesn’t help the flow of the story, but the overall read is entertaining. Whether philosophical thought really stretches from entertainment into a substantive speculation I can’t really decide. Certainly, there are some important pointers about the directions humanity might move in, and the subsequent effects. The science fiction is a story enabler, rather than a serious framework; a fantasy setting in which to play with social perspective. Where one is obliged to give stars then I would give five, for the overall readability and quality, even if these stars twinkle rather than shine a consistent and penetrating bright light.

I got the sense that McDonough-Wachtman is capable of writing with a great deal more ambition than she showed here. Far too many corners were cut with a convenient fantastical twist, and the tone was far too tongue-in-cheek to give any hard bite to the plot. This is a general readers book, not a genre scifi, and though it may well be appealing to rather more female than male readers that really isn’t a defining quality. The point that a matriarchy is no more capable of maintaining utopia from subversion than a patriarchy is well made.


Kings of Paradise- Richard Nell

Kings of Paradise

Using stars, if books can ever be fairly classified in such a blunt way, this book requires five.

The first thing to note is that there isn’t much paradise here, even in the relatively mild climatic conditions of the south. Secondly, there are kings, legions of princes and princesses, and every kind of human ogre, and all have very tough lives, many characters hardly rising above the shitpits of crude existence. Generally, this is a story about the brutish nature of humanity, seen in the evil waves of real history and not just in these dystopian pages. The knife cuts every bit as deeply, with just as much pain, as in any human conflict. Little of it is truly fantastical, though we get a glimpse of fantasy spells in the final chapters, though nothing as far-fetched as fire breathing dragons in the first long tome of this eventual trilogy. The overall tone of the book is a plausible if dark read, and not at all one I recognise as fantasy genre. In fact, when fantasy elements crept in they didn’t seem to fit well at all. The balance of reality and wizardry is not my biggest problem here though, that being the overall weight of words.

There are two excellent 80,000 word stories in this long volume, plus 40,000 words of material to save for later. The quality of the writing easily sustained this reader, but as two books in a series, one about the south and one about the north, what is good reading could have been brilliant. The two main stories might be better weaved separately in the proposed series of books, rather than threading separately around each section by section. A minor grievance, as is often the case with indie authors, is that the editing isn’t always quite up to the quality of the descriptive writing, but all in all the production is very good. Some sections of the book, which may have faced late rewrites, are certainly less well chiselled.

I can see one reason for putting all this into one book, that being because the story of Ruka is just too bleak even for the dark side of grimdark, however that could be lightened considerably without losing the terror in his character. The story of the priestesses could easily be written lightly enough to act as a counterfoil, which to some degree it is anyway. I have to admit that a book focused simply on Ruka would have many readers reaching into their drug cabinet.

As mentioned, the book moves further from a classic dystopian genre towards fantasy as the abilities of Kale ‘mature’. In my view the ‘game of thrones’ feel of the script is strong enough without superpowers, and certainly Nell writes great storylines that really don’t need the escapology of supernatural talents. Exaggerated human skills, even out of body experiences, fit the foundations of the book’s world very well, but the creeping in abilities of Nordic gods, in my opinion, don’t.

My interested was sustained, I really wanted to get to the conclusion. However, when the end came we had already passed several far more powerful climaxes. That was certainly a disappointment, if one that isn’t uncommon in planned trilogies. Authors need to hold back some storylines of course, but the biggest ‘bang’ in every book in a series should be in its final chapters.

Would I read more by this author? Yes, for sure. But also note that I already feel I’ve read at least two of his books.


Caligation- Bhri Stokes


The main character, Ripley, believes himself to be in a dream. The reader needs to buy-in as the focus shifts towards the dream being a new reality; a very strange one, but reality nevertheless. This either works for one, or it doesn’t. I am reasonably good at suspending belief, however, this story lost a good deal of its ‘believability’ for me. The book has some excellent reviews, so probably I am unusual. From the point at which I felt obliged to see the story as more than the telling of a dream I could no longer make any sense of the animal effigias attached to every semi-human. For me, fantasy needs to at least hold a thin string to scientific and/or philosophical plausibility. The buy-in isn’t helped by some serious structural problem with the book. The constant and insufficiently marked point of view changes, head-hopping, is very distracting. Often all we get is a line-break between the thinking and actions of varied changing characters, which often flicks to different locations and time frames. Then on top of that we have the confusion of the characters twinned animals communicating telephonically, with the warning of italics, but again without clear point of view direction. There are quite a few ungrammatical links between phrases, which sometimes jolted my progress. They didn’t distract me for more than a moment, as the story’s buzz was so good. However, the liaison between sentences doesn’t always bear up well under scrutiny.

The book could be improved dramatically by simply employing different typeface for different species, so helping one with the shifting scenes and characters. Changes in physical script would have also helped to give a greater variety of voice. Okay- this sort of typeface manipulation is frowned on by many literary purists, as of course traditional standards of grammar and sentence construction can make any point of view shift perfectly clear, but I think that this book is a case in point for the use of such devices. There is such a complexity of ‘communication’ between the characters, and a such a strong requirement in the writing style to shift focus quickly, that I think a mix of unorthodox cues for the reader is entirely justifiable.

So why then am I actually very positive, able to report that I enjoyed the book so much? Well, clearly it could be a lot better with a comprehensive rewrite. However, this is great entertainment. I had no trouble in finishing the book, when usually with so many structural faults I would have abandoned it very early on. Stokes’s writing draws very clear pictures and plenty of colour. I got a very strong sense of what her strange creation looks and feels like. The story and the speculative thinking behind the book is strong, bringing together many mythological ideas and rebuilding them in an intriguing way. With comprehensive editing this could become a really good fantasy novel rather than just a really good story. The ending is very thought provoking. I liked that very much.


Living Microbes Discovered in Meteorite.

The ABC News- 7th Nov. 2017

Breaking news –

A meteorite recovered from a site near Urbenville, NSW, which is believed to be a fragment from a fireball seen over Southern Queensland and New South Wales on the evening of April 16th has been undergoing scientific analysis in the University of Technology, Sydney, under the guidance of the ASRI, the Australian Space Research Institute.

A sample of the rock, was broken open so that material known to be free of contamination could be analysed, revealing a previously hidden void. In this space in the rock sample half a dozen multicellular organisms were found, three of which showed immediate signs of live. Two of these creatures, which appear to be closely related to known species of Tardigrades, are still alive after 24 hours. Tardigrades often familiarly known as water bears or moss piglets, are eight-legged creatures known for their incredibly resilient and found in a great many eco-systems on Earth. They can survive immense variations of temperature and pressure, and can remain in a dormant almost dehydrated state almost indefinitely. The specimens from the meteorite are large for such creatures, being just about visible with the naked eye, though they were first sighted with the aid of a hand-held magnifying lens.

Though it hasn’t been proven beyond all doubt, it seems that these little creatures are true alien visitors from elsewhere in our solar system. Seemingly, the case for the existence of alien life forms is proven. And yes, the question immediately rises as to where other familiar species of Tardigrades originally came from.

An expert from the ASRI will be talking to world press at 12:00 AEST, today.

Reporter, Bruce Everage, The Daily Telegraph, Sydney

Surfing with Snakes & Dragons- Roger J. Couture


We read in the minds of characters, which are all by degree, hedonistic, narcissistic, masochistic, and deeply psychologically introverted. That doesn’t mean that they are necessarily uncaring and detached from others, far from it. But deep exploration of subject character is so much the essence of these individualistic snakes and dragons. All the characters are flawed, troubled by the direction of their lives, and struggling between living for the moment and their worldly, practical, daily responsibilities, by concern for their own well-being and that of others. None of the main characters are uncaring of others, but they are all certainly self-absorbed. Perhaps most of us are, perhaps that is the message?

Couture quite probably exposes more of the conflicts in himself than those of others through these stories, but that doesn’t mean he isn’t also extremely observant of how others see their worlds. He writes in a highly descriptive, word-rich, and psychologically penetrating style. At times he borders on repetitive description and on says too much about what has surely already been deduced by any fully engaged reader, but he writes with such poetry, such cadence, that the overflow of description can easily be forgiven. Ultimately, nothing is decided, but every consideration is explored, possibility is left hanging, food for thought. Life is drawn to the extreme, to the fear, to toy with danger, and to them contemplate what it is that makes people repeat behaviour again and again. Couture writes with particular conviction about what it is to be a dedicated surfer, clearly a sometime overriding passion in his own life. But there is much more here, beyond the draw of the pounding sea. However, I recommend mixing the eight reads, as, for me, we start with rather too much abundant surf. There is connectivity between each story, characters spilling from one to the other, but these are truly independent constructions that can be shuffled like the cards in a single suit.

The poems at the start of each story acted as mood setters for the rich poetry of prose inside. A lot of this book is an exploration of the ‘adrenaline’ in life, in sport, in personal relationships, and at times raises one’s own hormonal beat, but this isn’t writing for the lover of the pacey thriller. This is writing for the lover of literature, for the lover of detail, for the contemplative, for those that like to enjoy the journey of an adventure rather than necessarily the climb to peak tension and final relieving climax. If one likes descriptive writing, and the analysis of what makes people tic, then this series of stories is for you. I might call these essays on the waves in life rather than stories with firmly placed beginnings or any definitive endings.


The Master of The Name- Tavi Florescu


Master of the Name was for me an intriguing read, despite, or even perhaps because, it seriously challenged my knowledge base. However, I have to say that being so stretched is a mixed blessing when reading a fiction novel. I’m certain that I would have had an easier time with a stronger sense of where facts and cultural beliefs end and storytelling starts. I did wonder, particularly in the opening chapters, whether the story really benefitted from such complexity. However, the package is certainly worth a little effort, and since my reading has inspired me to investigate some very ancient, mostly Jewish, religious ‘stories’. I’m sure that even the most erudite should read on without worrying over much about the historically based elements that escape immediate understanding. This is after all an entertainment, which though strengthened by factual content doesn’t require any truths.

As to the power of words, especially names, I have no trouble getting that. Words certainly have power, both for good and evil. In this book, as in the real lives of many, even in our modern age, the very name of God has terrifying power. That physical power is held in religious text is certainly something that many religious people of varied faiths believe. Indeed, one may well be aware of the convention of avoiding writing or speaking the ‘true’ name of God, an idea appearing in by degrees in almost all mainstream religions. We can’t know what God calls himself, so then enabling priests of diverse colours to empower themselves.

Linguistics is powerful enough simply in lay usage, dictating so much that goes well and badly in relationships between individuals, ‘tribes’, and nations. When competing religions gets involved in the battle of words then poison soon flows.

At times, I felt that the backstory threatened to strangle the hunt for the murderer, to be dragging me too far from police tracks. I encourage those that have similar thoughts to read on, and perhaps enjoy a Wiki search for information when they have finished: as was my course. The ending is a revelation.

Tavi Florescu has woven his extensive knowledge base into a most exotic detective story. Whether he gets the balance correct between the background and the chase will depend on the individual reader’s preferences. This is a well written novel, which while defying conventional pigeonholing is certainly good literary fiction. As to the detective, I think I would be less intimidated by almost any ‘frankensteinian’ creations. Detective Gray and his pencil are not lightly crossed.


Fidget Spinners Destroyed My Family- George Billions


This is a social drama, a psychological dystopian descent, about the self-destruction of a classic mum, dad, two children and cat family. The story slips genre into black comedy and momentarily into horror of the plausible variety, always so much more disconcerting than ghouls and zombies. This is a novella, which a fast reader may well consume in one sitting. The book could easily have been longer, though possibly that would have diluted the constantly disturbing buzz in its pages.

This story is very well written, with clear flowing prose and only a few typos. The story is narrated through the first-person mother with a very realistic feeling voice. I felt that I was sitting listening to the mother’s distressed, sometimes questionable, and less that sober first-hand narrative, rather than, as we are directed to believe, a story cobbled together by the author from episodic conversations.

My only complaint about the story was the abrupt ending. I would have liked to hear the completed story of the family from the tragic peak we are left on. I feel a need to know if disintegration or renovation of the mother to child relationships was the eventual outcome.

I had a sort of personal interest in the story that only added to its poignancy, one that is all too common in western culture. I have lost a parent through the ravages of alcohol. But believe me, such a direct connection isn’t a required ingredient for one to get the full taste of this sad tale.

I have an issue with the cover as on the book at this date, September 2017, in that it really doesn’t reflect the content. The big youthful, blood-smeared, smile gives the impression that one is in for some sort of zany horror comedy. That isn’t the case. Too many books are falsely sold, or not, by misleading covers. This book doesn’t need a creepy cover to sell it, just the publicity it deserves, which I like to think will be boosted by this and other reviews. True or not, the family disassociations and disintegration explored in this social drama are tragically reflected to varying degrees in many real lives.


Edging- Michael Schutz


An intense read, high on adrenaline to the end. Not all the loops in the story quite join at the end, though some of this is almost certainly intentional as Schutz sets his readers of for a second edging. There are a few copy errors, but none that came close to spoiling my read.

In my view, the book has a little too much pace to it to really built the horror, increasingly lacking a juxtaposition between normality and evil abnormality which really put’s teeth on edge. So not quite Mary Shelly or Steven King, but a great read by any standards. This is very much the sort of book that I would be happy picking up as a pot-luck read from the airport lounge.

As to the plot, I am inclined to make the noun plural. There are many elements that might have been better divided into two separate stories. The first, about the drug culture and it’s dangers to society was by far the most powerful. The second plot, the devil working through the minds of his devotees and captured souls and the physical manifestation of his evil, provided the meat of the climatic ending but lacked the conviction of the narcotic story. There is connection between the two plots, but not a direct and strong enough one for my liking. Perhaps Edging II will bind the plots together with more conviction.

Overall, I recommend this book to those that like to feel the rush of a fast paced, edge-of-seat entertainment. Reading this is like watching a movie, exciting but lacking enough detail to properly join all the dots, entertainment trumping exacting plot, rather than a book plot stripped of logical continuity in the making of a film. That doesn’t make the book unreadable any more than making an exciting movie unwatchable, on the contrary, both can be great entertainment; that being very much the case here.

This raises the question of whether this book has potential as a film. It absolutely does. With well-engineered special effects, it could be a real blockbuster.

As I did, you may want to compartmentalise the plot elements a little. But, yes, this is a quality read. I have no hesitation in awarding the five stars I do to most books that raise my interest enough to solicit a review.